Crafter Acoustic Setup

Posted on January 12, 2015 by Aylesbury Guitar Repair

This little baby is amazing! It arrived with a reasonable action but it had room to come down and that’s exactly what I did.

The truss rod had room to be tightened to encourage the neck to straighten, and this helped me keep the action down across the length of the neck.

I took about 1.5mm off the base of the bridge saddle, sanded it smooth, replaced it and then checked the resulting action.

It came out wonderfully, measuring 1.5mm at the 12th fret. There’s no buzz whatsoever and it almost plays itself!

Fender USA Deluxe Jazz Bass

Posted on January 11, 2015 by Aylesbury Guitar Repair

This was a lovely instrument to start the day with! She just needed a little attention to bring the action down a touch to make her easier to play.

The truss was already pretty taut, so straightening the neck further was tricky and I was naturally reluctant to push my luck!

Despite still having a some curvature (probably the right amount to be fair!) I set about lowering the bridge saddles.

Overall everything was able to come down by about a third, meaning there should be a marked difference in the feel of the bass when the player gets it back. I’m excited to see what they think!

Once the intonation was done, she got a good polishing and then back into the case to await collection. Done, done, onto the next one!

Reverse V Gauge Change, Jazz Bass and Tele Set-Ups

Posted on January 9, 2015 by Aylesbury Guitar Repair

Have you ever seen one of these before? This is a Gibson Reverse V guitar, which was released in very limited number in 2008, and the owner wanted the strings changed up from 10’s to 11’s.

It was an interesting guitar to work on, although a little unwieldy as it pivoted on the bridge end of the body. Great instrument, though!

Once that was done it was onto setting up a Fender P Bass – nice and straight forward, and cleaned up really nicely – and a Telecaster. Both of these were left-handed instruments.

The Tele ended up needing an extra bit of attention since the high E and B strings were ‘fizzing’ in the nut, but after a little attention and fettling they were good as gold again! What will come through the door next?

Gibson Les Paul Gold Top String Gauge Change

Posted on January 6, 2015 by Aylesbury Guitar Repair

How classy is this guitar? I love the gold too finish on these guitars… So beautiful!

The client wanted to take this up from 10’s to 11’s, and originally had a set of Elixir strings, with the new ones being Ernie Ball Power Slinky.

During the process I stripped and polished the hardware on the guitar, which also enabled me to get under the pickguard – it’s like a new guitar!

Stringing this baby up was a real joy! The action is set super low, but she sings! The clean sound is lush on this… Mustn’t covet!

Freshman Acoustic and Aria Electric Setups

Posted on January 4, 2015 by Aylesbury Guitar Repair

Well today has been an interesting day of setter-up-ering!

The Freshman acoustic already had a very low action – almost too low – so alongside cleaning the fretboard of all of the gunky deposits, I raised the treble side of the bridge in order to relieve the buzzing on the neck a fraction.

The truss rod was pretty seized from a setup, so the neck had to stay as straight as it was, but this didn’t prove too problematic, and the guitar plays great – especially for an acoustic!

The Aria guitar was a very different problem, as the jack plate needed bending into shape – for some reason it was very flat in it’s profile from new – so I needed to flex the guns!

First I need to de-solder the Jack socket, and saw through the threaded section of the socket because the nut holding the Jack plate in place wouldn’t come off! Quite extreme measures, but it needed doing.

Once that was done it was a simple job to bend the plate to match the curvature of the body of the guitar, a re-solder of a replacement chassis, then a straightforward set-up from there. This was a really lovely guitar to work on, and the action is much slicker now!

Yamaha Pacifica Set-up

Posted on December 22, 2014 by Aylesbury Guitar Repair

So yesterday a lovely chap dropped over his Yamaha Pacifica 112 guitar which was in need of a setup. In its lifetime it had been strong with 9’s, 8’s, and mostly recently 10’s, leading to a raised tremolo bridge and high action. The bridge saddles were set flat, so they needed attention too.

The client simply wanted the guitar set for the 10’s, with minimal buzz – at a height whereby his fingers didn’t rise on top of his fingers.

In order to achieve this, I fitted an extra spring to the tremolo, which brought the bridge flat to the body (another request of the client), and then set about getting the action just so.

I set it to factory settings (1.9mm and 2.4mm at the top fret respectively for each E string), and this was to the customer’s liking.

After intonating the guitar and a quick polish, this guitar spent a little over 36hrs in my possession all told, and it was great to be able to get it back into the customer’s hands before Christmas!

Gibson Les Paul Standard – Fret Stone and Electrics Troubleshoot

Posted on December 20, 2014 by Aylesbury Guitar Repair

There seems to be lots of lovely Gibson Les Pauls around here! This particular one is a left hander, in ebony, and the condition was such that it needed quite a deal of love and tidying up.

The fret wire came to me severely pitted, and it looked like it would be borderline whether this would be a re-fret or whether a simple fret stone/re-crown would suffice.

Having seen how little fret height you can get away with on a Les Paul, I went ahead with the fret stone option, and it came out really well. There’s a lot more life yet in these frets, and after some careful work, this guitar was back to playable!

The action was so low when it arrived, that the strings were completely choking on the upper frets, however that has been rectified and there is a consistent feel along the length of the neck.

One other problem that needed fixing was a faulty tone control. Upon inspection this turned out to be a broken leg from the capacitor joining the bridge volume pot to the tone pot. It was an easy job to switch it out, and now the LP has its full compliment of controls working again!

A final clean and polish finished this baby off, and she was gratefully received!

Ibanez Set-up

Posted on December 9, 2014 by Aylesbury Guitar Repair

Just a quick post about an ibanez guitar in need of some love!

The nut was sitting white high on top of a couple of brass shims, and upon removal the action over the lower frets was much better.

I was also able to tweak the truss rod to allow a little more bow in the neck, then take the bridge down by a fraction, and now she’s playing super-slick! Oooh yeah!

Classical Bridge Saddle and Nut Replacement

Posted on November 27, 2014 by Aylesbury Guitar Repair

Today I completed a bridge and nut replacement on a classical guitar. The saddle in particular needed some work to become thin enough to match the slot on the bridge, but she was there after a little sanding and coaxing.

With a fresh set of strings, a polish and tune up she’s ready to go!

Les Paul Classic Overhaul

Posted on October 10, 2014 by Aylesbury Guitar Repair

Today I worked on a beautiful Gibson Les Paul Classic that needed a bit of attention. There wasn’t anything massively wrong with the instrument, but it just needed some elbow grease in a few areas.

Much of the hardware was heavily tarnished and lacked the lustre of a new instrument. Similarly, the fret wire was dull and starting to corrode in a couple of places, and there was also a little rust on a few of the pickup pole pieces.

To remedy this I used some metal polish along with my Dremel multi tool, and the hardware came up a treat!

The frets were fairly tidy in terms of wear, so I just needed to bring them up to a vibrant shine as above, and they now look great!

To finish I fitted new strings, adjusted the intonation and the pickup heights for an even response.

The fair amount of weight to the guitar, and 60’s neck carve really suited the instrument, and it sounded wonderful through my Marshall during testing.

Before and after…